A fantastical punk comedy, a feminist revenge film, and a revamped vampire movie rolled into one, Karan Kandhari’s Sister Midnight is an original, funny and macabre tale centred on a rebellious, misanthropic character.
"Sister Midnight" follows Uma, a young woman navigating her new life as a bride in a Bombay slum. Confronted with the harsh realities of married life, Uma’s innate distrust of society leads her toward thoughts of revenge. Her story isn’t just a tale of survival; it’s about empowerment and resilience, all wrapped in dark humor.
Visual Mastery
The cinematography in "Sister Midnight," captured by Sverre Sørdal on 500T and 200T 35mm film, plays a crucial role in bringing Kandhari’s vision to life. This choice creates a rich, textured aesthetic that complements the film’s fantastical elements, allowing viewers to relate to Uma’s gritty reality.
The film recently won Best Cinematography at the Dublin Film Critics' Circle Awards, a testament to its stunning visual storytelling. The integration of 4K scans and post-production color work by Cinelab Film & Digital brings a vibrancy that captivates audiences. Each frame showcases the vivid contrast between Uma’s chaotic world and her inner emotional landscape.
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